Was there LGBTQ in Barbie?

A candid iPhone snapshot in a slightly cluttered movie-theater lobby lounge area after a film screening, awkward framing and aggressively mediocre composition, slight motion blur and uneven fluorescent lighting, mildly overexposed highlights with visible phone noise/grain. Primary subject: a tall, lanky Latina in her early 30s with tan skin, medium-length curly hair with natural volume, wearing a retro vintage windbreaker; she has a calm soft expression but also looks impatient (foot tapping while checking her phone) and nervous (fidgety hands, tight smile). On a low table nearby are a few unbranded fashion dolls and tiny accessories, including a small rainbow-colored pin and a miniature doctor-style accessory kit; packaging is turned away/blurred so no logos or text are visible. In the background, slightly out of focus, a male attendee (not matching the primary subject’s traits) stands near a plain pink display wall with no readable posters. No text, no watermarks, no logos, modern realistic setting, non-explicit.

Was there LGBTQ in Barbie?

Yes—but mostly in indirect, coded, or “representation-by-presence” ways rather than through explicitly labeled LGBTQ storylines. Across Barbie’s long history, LGBTQ+ visibility shows up through (1) queer fan culture, (2) certain dolls and product lines that broaden gender expression, and (3) casting and creative choices in the 2023 film.

That distinction matters, because when people ask this question, they often mean one of two things:

  • “Is Barbie (the character/world) canonically LGBTQ?” Usually: not explicitly.
  • “Are there LGBTQ people and LGBTQ-inclusive choices in Barbie media/products?” Definitely: yes.

Below is a clear breakdown of where LGBTQ+ is present—and where it’s still more subtext than text.


1) LGBTQ+ in the Barbie (2023) movie: present, but not labeled

Greta Gerwig’s Barbie (released July 2023) doesn’t typically “assign” sexual orientations to Barbies and Kens on-screen in a direct, canonical way. Part of the film’s logic is that Barbies are dolls—symbols—so the movie leans into identity as performance, self-definition, and social expectation rather than romance labels.

That said, LGBTQ+ visibility shows up in a few concrete ways:

LGBTQ+ casting and inclusion

The film includes LGBTQ+ performers among its Barbies and Kens, including Hari Nef (a trans woman) as one of the Barbies. Coverage around the film also notes LGBTQ+ cast members such as Kate McKinnon, Alexandra Shipp, and Scott Evans. (1)

Queer-coded “discontinued” Kens

One of the most talked-about references is the nod to Earring Magic Ken, a real 1993 Ken doll that became a pop-culture phenomenon and was widely nicknamed “Gay Ken.” The 2023 movie includes discontinued Ken characters associated with that legacy.

Bottom line: The film contains queer presence and queer-coded references, but it generally avoids turning Barbieland into a set of explicit identity labels.


2) LGBTQ+ in Barbie dolls/products: yes—especially via gender expression and real people

If you broaden “Barbie” to mean the brand ecosystem (Mattel’s dolls, collectors, collaborations), LGBTQ+ inclusion becomes more tangible.

A real milestone: Laverne Cox as a Barbie

In May 2022, CBS News reported that Mattel created a Barbie in Laverne Cox’s likeness—described as the first transgender Barbie they had made—released as part of the Barbie Tribute Collection.

Later, Mattel Creations also featured a “Barbie Drop Laverne Cox” release page (showing a $40 doll listing on that page). (2)

This is a clear example of LGBTQ+ inclusion through honoring an LGBTQ activist/actor as a celebrated public figure.

Gender-inclusive play beyond traditional Barbie/Ken

Mattel also launched Creatable World, described as its first line of gender-neutral dolls (introduced in 2019). Coverage of the launch framed it as a “gender inclusive” line designed to reduce labeling and expand customization. (3)

While Creatable World isn’t “Barbie” itself, it’s part of the same corporate universe and reflects a wider shift: moving from strict gender scripting toward identity-flexible play.

The famous “Gay Ken” moment: Earring Magic Ken (1993)

Earring Magic Ken is often cited as the most iconic “unexpected queer moment” in Barbie history: a mainstream doll that became especially popular in queer communities and entered museum and pop-culture discussions as a symbol of queer camp and consumer reinterpretation.

Bottom line: Barbie as a brand has had multiple LGBTQ-adjacent touchpoints—some intentional (tribute dolls, inclusive lines), some “found” by culture (Earring Magic Ken).


3) LGBTQ+ in Barbie as culture: sometimes the queerness is the point

Even when a Barbie product or movie isn’t explicit, Barbie has long functioned as a canvas for:

  • Gender play (trying on roles, aesthetics, futures)
  • Camp and exaggeration (a core queer cultural language)
  • Self-invention (the “I can be anything” fantasy, read through queer experience)

So in practice, a lot of “LGBTQ in Barbie” comes from how people use Barbie, not only what Mattel declares.

This is also why debates about “Was Barbie LGBTQ?” can become frustrating: one side wants a canonical checkbox, the other side is describing a lived cultural relationship.


What wasn’t there (or was limited): explicit canon

To answer the question honestly: Barbie has historically not functioned as a franchise that centers explicit LGBTQ romance arcs the way some modern TV series do.

Instead, Barbie’s LGBTQ presence tends to be:

  • Representational (Laverne Cox tribute Barbie)
  • Inclusive-by-design (gender-neutral doll lines) (3)
  • Queer-coded/camp (Earring Magic Ken and related references)
  • Inclusive casting and messaging in the 2023 film, without hard labels (1)

That may be satisfying—or not—depending on whether you’re looking for subtext, symbolism, or explicit storytelling.


Why this matters (beyond one movie or doll)

Representation isn’t only about “confirming” a character’s label. It’s also about:

  • Who gets to be seen as part of the world
  • Which bodies and identities are treated as normal
  • How products reflect real adulthood, not just childhood narratives

And that last point is where Barbie’s influence quietly intersects with today’s adult tech landscape.


A quick note on adult tech, identity, and informed choice

When people outgrow childhood toys, they don’t outgrow identity questions—many just gain better tools.

Modern intimate technology is increasingly shaped by the same cultural pressure that pushed Barbie toward broader inclusion: people want products that respect individuality, autonomy, and comfort rather than one “default” user.

If you’re curious about how that evolution looks in the adult space, Orifice.ai is one example of a product built around responsive interaction rather than passive novelty. It offers an interactive adult toy (sex robot category) priced at $669.90, and it includes interactive penetration depth detection—a technical feature aimed at making the experience more adaptive and controlled (without needing explicitness to explain why that matters).


Final answer

Was there LGBTQ in Barbie?

Yes—especially through LGBTQ+ people being represented (like Laverne Cox), through gender-inclusive product design, through queer-coded cultural moments like Earring Magic Ken, and through inclusive casting and references in the 2023 Barbie film. (3 1)

But if your question is whether Barbie is a franchise with consistently explicit, canonically labeled LGBTQ characters and romances, the answer is: less often—and usually more by implication, interpretation, or selective spotlight than by direct confirmation.

If you want, tell me whether you meant the 2023 movie, the dolls, or Barbie media overall—and I’ll tailor the answer to that specific slice.

Sources